Athens, Greece · EU

Set graphics and prop design
for film and television

Graphic design and print for film and television productions in Greece and internationally. Props, signage, documents, packaging, screen content - from brief to physical delivery or print-ready files.

Based in Athens, working internationally.

28 years working across editorial, print, and brand - now focused on film and television. I work with production designers and art directors on everything graphic: documents, signage, packaging, screen content, publications. Design through to physical print, or files only - whichever suits your pipeline.

Greek and English. On set or remote.

Where useful, I use AI-assisted image generation alongside traditional graphic design and production methods - a method inside the workshop, not the product.

Printed props
Newspapers, magazines, books, pamphlets and ephemera - contemporary or period-accurate. Designed print-ready, or physical and on set.
Documents & paperwork
Passports, contracts, police reports, medical files, legal papers, letters and forms - designed to survive a close-up.
Signage & environmental graphics
Shop fronts, street signs, posters, notices and interior graphics - everything the environment of a scene needs.
Packaging & fictional brands
Product packaging, labels and complete fictional identities, built for the world of the story.
Screen content
Phone, computer and television graphics, static or animated - designed for what the camera actually sees.

Reference: What does a set graphic designer do?  ·  What are graphic props for film?  ·  How are period graphics researched?

How a production typically works with me

Prep
Script breakdown & design
Working from the breakdown or script, every graphic element gets identified and scheduled. Earlier involvement means fewer surprises closer to the shoot.
Pre-shoot
Print production
For productions shooting in Greece, print is managed through a reliable Athens supplier network - stock, quantities, finishing. Print-ready files can also be handed off to any external pipeline.
Shoot
On-set & on-call
Available on set for shoot days that need real-time changes. Also reachable remotely for revisions, additional versions, or anything that comes up day-of.
Remote
File delivery worldwide
For productions not shooting in Greece, all assets are delivered digitally - print-ready PDFs, layered source files, or screen-formatted files - to any schedule and pipeline.
Tools
I also build the tools I wish the art department had
Some production problems are better solved with software than with another spreadsheet. I build tools around the same problems I meet in real productions - breaking down scripts, making the fictional graphic props a story invents, and putting live digital content on camera. That work lives under Scenergia.
Skenic ↗ - Find what the scene needs.
Script breakdown for the art department: props, sets, vehicles and period flags scene by scene, with mood boards, budgeting and a supplier marketplace. Greek and English scripts.
Chronotype ↗ - Make what the scene invents.
Browser-based studios for building graphic props from scratch - posters, newspapers, labels, packaging, documents, maps and signatures - period-accurate from the 1860s on, in English, Greek and German. Fictional by design, clearance-safe, fully offline, exporting print-ready SVG that carries its own type.
Mombie ↗ - Put the digital world on camera.
A real-time messaging-prop simulator that puts fully controllable phone screens on camera - no screen replacement in post, and no clearance risk from trademarked interfaces.

Greece as a production base

The Greek Film Commission offers up to 40% cash rebate on eligible expenditure. Locations range from central Athens to remote islands, ancient ruins to modern infrastructure - and the crew base is experienced and growing year on year.

Having an Athens-based designer on the production means access to a local print network and supplier knowledge that takes time to build from the outside.

Recent productions
The Riders
Dir. Edward Berger · Plan B & Scott Free · A24 · w/ Brad Pitt
2026
Sound of Silence
Dir. Joyce A. Nashawati · Pan Cinéma
2026
Maestro
Netflix · Seasons 1–4
2025
Hot Milk
Dir. Rebecca Lenkiewicz · Mubi
2025
Sacrifice
Dir. Romain Gavras · Iconoclast
2024
How to Have Sex
Dir. Molly Manning Walker · Mubi
2023
What productions typically need
Period newspapers Fictional packaging Government documents Shop signage Screen UI content Aged print materials Product labels Prop books On-set revisions Same-day turnaround

Quick answers

When in prep should I get in touch?
As early as possible, once the script is reasonably locked. That leaves enough room for a proper breakdown, design rounds, and print production without pressure. Shorter timelines are manageable - just flag it upfront.
Do you work directly with the production designer?
Yes. Direction comes from the PD or art director, and the work goes through whatever approval process the production has. Both Greek and English are fine.
Design only, or print as well?
Both. For productions in Greece, print can be managed end to end through a local supplier network. For productions elsewhere, print-ready files are delivered in whatever format the pipeline needs.
Our production isn't shooting in Greece - does that matter?
No. Remote work is a regular part of how this works. Files are delivered to schedule, formatted to spec. Previous remote productions include work in London, Paris, and Kassel.
Do you work on commercials?
Yes - alongside film and television. Tight turnarounds and high finish standards are the norm in that world, which is fine.
How do we start?
A message with the production name, shoot dates, location, and a rough sense of what's needed is enough to go on. A response comes within 24 hours.
Prepping a shoot in Greece?
Production name, dates, location - that's enough to start a conversation.
Athens, Greece  ·  EU  ·  Working internationallyTools I build for production  ·  Scenergia ↗